The Talks is an experimental installation that blends contemporary dance and visual art, unfolding as an endless cycle of dialogues—between consciousness and reason, between instinct and desire. It is a relentless struggle toward the self, the only thing truly one’s own, the only thing that enables one to face the world.

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The film revolves around five dialogues between four men and one woman, as well as the woman’s internal dialogue with herself. Each man embodies a distinct force: emotion, temper, a fragmented psyche, and androgyny. The woman, at once a recipient and a combatant, must confront, endure, and engage—not only with them but also with herself—while remaining in constant motion.

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Using an unstructured, installation-based projection approach, The Talks employs space and the unpredictability of movement to immerse viewers in a multi-dimensional environment. Here, the audience is not merely an observer but inevitably becomes part of the dialogue, as the shifting space affects their vision, their hearing, and their very presence.

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The screening space itself transforms into a field of motion.

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The movements and their impact have no beginning and no end.