This space holds the work that lives between categories—experiments, collaborations, and investigations that unfold alongside filmmaking. Here, video becomes performance, writing becomes installation, photography becomes ritual.

Art-making, for me, is about creating spaces where people can be witnessed—and witness themselves. Whether through durational performance-videos, installations questioning our relationship with simulated nature, or collaborative dances that reclaim narrative, the work asks: How do we connect authentically in a world increasingly mediated by screens and systems?

These projects are often participatory, always collaborative, and designed to create encounters rather than objects. The mediums shift—video, performance, installation, writing, photography—but the questions remain: How do we see and be seen? How do we hold tenderness alongside complexity? How do we create space for stories that don't fit traditional narratives?

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