
BIO
Mai Huyền Chi is a Vietnamese writer-director whose work explores memory, identity, and belonging, often centering voices and histories overlooked in dominant narratives.
Responding to a world marked by division and ecological crisis, her recent projects aim to foster deeper human connections with land and water, employing participatory approaches that invite communities to tell and shape their own stories.
Recent Work & Recognition
In 2025, Chi completed 50 Years of Forgetting, a medium-length documentary commissioned by Al Jazeera. The film examines the legacy of the Vietnam War and the politics of memory and erasure. It reached over 100,000 views in its first ten days and has been screened internationally.
Her short fiction debut The River Runs Still premiered at the New York Asian Film Festival in 2025. Her in-development feature The River Knows Our Names won the Tokyo Talents Award in 2024 and has been developed through labs and markets in Hong Kong, Singapore, and Europe.
Artistic Evolution
Chi's filmmaking journey began with Down the Stream (2015), a short documentary that became a finalist for Vimeo's Best of the Year, screened at Internationale Kurzfilmtage Winterthur, and was featured on 88Rising and Aeon Video.
Her practice has evolved toward participatory approaches that honor community knowledge and foster connections with place, creating collaborative processes where communities become active agents in shaping their own narratives.
Screenwriting & Collaboration
As a screenwriter, Chi has contributed to three feature films: the Vietnamese box office hit My Mr. Wife (2018, Best Film, Golden Kite Awards), A Brixton Tale (UK, 2022, Cineuropa Award, Festival International du Film de Mons), and The Girl from Dak Lak (Vietnam–Spain, 2022, IndieLisboa nominee), which she also co-directed.
In 2023, she served as creative producer on WOMAN: PHỤ NỮ, an American documentary exploring Vietnamese women's identities during war and peace.
Community Building
Chi is the founder of Cinema CNN (Cinema Con Nhà Nghèo), a grassroots screening series under A Sông Collective that supports independent Vietnamese cinema and encourages dialogue about the country’s past and future. Honored as “The Most Meaningful Project” of 2024 by Hanoi Grapevine, Cinema CNN collaborates with collectives across Southeast Asia, Australia, and Germany, fostering exchange between local and diasporic communities.
Multidisciplinary Practice
In addition to filmmaking, Chi’s practice spans installation, video art, writing, and performance. A former journalist and editor-in-chief at MSN Vietnam, she is also a published writer and photographer, and has taught at RMIT University Vietnam.
[FILMOGRAPHY]
THE RIVER KNOWS OUR NAMES (2027), 100', Writer-Director, in dev
Winner, Tokyo Talents Award 2024
SEA Feature Lab, Singaporean International Film Festival, 2021
Runner Up, SEA Pitch, Bangkok ASEAN Film Festival, 2021
The River Award, Hanoi Winter Film Residency, 2021
Locarno Open Doors, 2021
Udine Far East Award, Hongkong Film Financing Forum, 2020
Focus Asia Project Market, Far East Film Festival, 2020
50 YEARS OF FORGETTING (2025) | 48', director
WOMAN | PHU NU (2024), 90', producer
THE RIVER RUNS STILL LUA (2024), 14', Writer-Director-Producer
Official Selection, New York Asian Film Festival 2025
MY NAME IS (2022), 25', Writer-director-editor, in-post
BEBESEA Fellowship, 2022
AUGUST LETTERS (2021), 27', Director/ Editor
CineLAB, Think City, Penang, Malaysia, 2025
Kyoto University’s Visual Documentary Project, Best of 2021
“Till Later Letters”, Group Exhibition, Á Space, Vietnam, 2022
Kyoto International Film and Art Festival, Center for SEA Studies, 2023
Overshare Film Festival, Testing Grounds, Melbourne, Australia, 2023
"Fractured Lens: Memory, Archive, and Photography at an Intersection”, screening & artist talk, Sàn Art, Saigon, Vietnam, 2023
THE GIRL FROM DAKLAK (2022), 87’, Writer/ Co-Director
Nominee, Best Feature Film, Silvestre Award, IndieLisboa International Film Festival, 2022
Nominee, Best Film, D’A Film Festival (Spain), 2022
A BRIXTON TALE (2021), 90’, Writer
Nominee, Best Narrative Film, Slamdance International Film Festival Official Selection 2021
Winner, Best Picture, Cineuropa Award, Festival International du Film de Mons, Belgium, 2022
MY MR. WIFE (2018), 90’, Writer
Best Pictures, Golden Kite Film Festival, 2019
DOWN THE STREAM (2015), 4', Director-Editor-Producer
Official Selection - Internationale Kurzfilmtage Winterthur 2017
Finalist – Vimeo’s Best of the Year 2015
Winner - Reel Health International Short Film 2015 (Australia)
2nd Place Winner - MY HERO International Film Festival 2015 (USA)
[PUBLICATIONS]
2. SMALL WARS: THE WAR IN OUR MINDS, Review of My-An Le's "Small Wars", Mat Ca Photography Magazine, 2019
3. RE-READING GREENE, A modern woman's take on Greene's "The Quiet American", Mekong Review, 2018
4. IT’S A LIVING: LIFE & LABOR IN VIETNAM (2013-4), photographer & contributing writer, National University of Singapore Press, translated & published in Vietnam in 2014
[SHOWS/
RESIDENCIES
EXHIBITIONS/
PUBLIC TALKS]
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ON RECIPROCITY, seminar/ workshop/ residency hosted by Think * Think, Kuching, Malaysia
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FOR NOW I JUST FOCUS ON BEING NANA (A MEDIATION ON LIFE AND DEATH), "On Reciprocity" Group Exhibition, Think & Tink, Kuching, Malaysia, Mar-Jun 2025
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THREE ACTS (2021), video, Bar de Force & Goethe Institute
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WHEN YOU END AND I BEGIN (2021), web-based video performance, White Distance Residency, Heritage Space
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HER-STORY (2020), dance short, iwith choreographer Sunyoung Grace Lim
Arabesque Open Stage 2020 -
X PROJECT (2019), dance teaser/ short, with choreographer Ngo Thanh Phuong
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BECOMING SKY (2020), video installation, Heritage Space, Vietnam
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THE TALKS (2019-20) dance video/ multi-channel video installation
CABCon 2020
Arabesque Open Stage -
PALAO (2018), dance show teaser, Lune Productions
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IT’S A LIVING (2013), solo photo exhibition, Vietnam
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CHUNG TA DI (2011), group exhibition, photos, Winnipeg, Manitoba, Canada